Developed by Deborah Amos, international correspondent, National Public Radio.
The drama of conflict, chaos, and war come to Western readers in daily newspaper stories, but the news gives us scant details about how people live their lives in Islamabad, Fez, Cairo, or Tehran. Through the titles in “Points of View,” readers will encounter individual experiences in Muslim-majority societies through memoirs and novels representing a diverse geography and some of the best contemporary storytelling.
The most recognized narratives of the Islamic world often come to Westerners in the daily news. The drama of conflict, chaos, and war abruptly arrives in the morning newscast or paper along with the toast and coffee. But the “news” gives us scant details about how people live their lives in Islamabad, Fez, Cairo, or Tehran. The human experience—loves, losses, births, deaths—is the currency of the novel, the memoir, the personal history. These stories can provide the riveting and recognizable details of falling in love, coming of age, navigating irreconcilable loss, or making difficult choices.
Understanding and examining Islamic culture through memoirs and fictional works can bring a new awareness of our shared values and difficulties, as well as our shared successes. Islam as a religion often fits into these stories’ plots in the way that a local church community might play a role in an American work of fiction.
The novel is a relatively recent addition to the literary tradition of the Arab and Islamic worlds. Poetry, an ancient art, is much more revered—as are other modes of storytelling, some of which we explore in “Literary Reflections.” Still, the novel produced the first Muslim winner of the Nobel Prize in Literature, 1988 honoree Nagib Mafouz of Egypt, and in more recent decades a legion of writers producing imaginative works that are accessible and illuminating, and that have become familiar to readers worldwide.
“Cairo writes, Beirut publishes, Baghdad reads” is an old Arabic saying that reflects an earlier literary culture before it was threatened by fundamentalism and all but extinguished by repressive governments. Recently, courageous writers have been exercising atrophied literary muscles again by taking on taboo topics of oppression, corruption, inequality, and women’s rights in a creative variety of narrative formats.
The five narratives in “Points of View” are a diverse sampling across geography, time, and culture. The voices they feature are not only those of Muslims, but also non-Muslims reflecting on the experience of living in Muslim-majority societies in all their diversity. Although in no way an exhaustive collection, these books—like Muslim-majority societies—do not offer one story, but tell many stories and represent some of the best in contemporary storytelling.